He asks her a question about what she wants to do. The shipping container cut isn’t more than 15 seconds, the desert war scenes can’t amount to more than a minute 20 overall, and the suffocation flashbacks are so fast. 'The Godard of the MTV Generation' - it's one way to describe Gregg Araki: shoegazing, New Queer, and 90s aesthetic. I mean the first time we are introduced to Joe's mother she's watching Hitchcock's "Psycho." We start hearing that disturbing mumbling audio again and if I were to try and make out what its saying, it seems to be the words of his father towards him. With Mireille Enos, Sam Shepard, Goran Visnjic, Vincent Piazza. I apologize if the write-up is rather lengthy, but there was so much to say about the film. This type of disorderly behavior is something that becomes apparent about his character throughout the film. [–]Carlito148[S] 8 points9 points10 points 2 years ago (2 children), Human trafficking and child sex rings are a real thing though. Boundaries blur between real and imaginary, crime and art, the watcher and the watched. I think I disagree with lots in the OP, but don’t find these moments cliche. Nina suggests that they should go somewhere because it’s a beautiful day. He is seen edging pain and suicide either through plastic bag suffocation or slowly putting his head in front of a train and removing it at the last second. But I think not seeing these elements as fleshed out is valid criticism, or seeing them as handwavy. Sure there was that great scene with the rocks and the lake, but if we had spent more time with their relationship that scene would have been more affecting. To me, the movie was about a complete lack of agency felt by Joe. Looking to watch You Were Never Really Here? To me, this was a genius choice to make. Archived. Sorry for being that guy who obnoxiously chimes in just to tell people they're doing something wrong, but just so you guys know, if you're commenting in an official discussion thread for a movie with the spoiler warning in the title, you're allowed to talk freely about anything in the movie without having to use your own spoiler warnings. All I could think about during the film was how much Alex Jones would love seeing this rogue ex-military dude take on the swamp of interdimensional childmolesting establishment politicians. The violence, the cloth, the hammer, the asphyxiation, etc.. all things he has seen and experienced that are now unfortunately part of him... just perhaps in a less sinister way. I thought the film was very successful at exploring just Joe’s missions in life. You Were Never Really Here. We want to encourage and support in-depth, intellectual discussion. Close. You Were Never Really Here (2017) Parents Guide Add to guide . As they’re viciously fighting, the camera angle gets knocked over and points upward on a cracked mirror that reveals Joe strangling the cop and eventually snapping his neck. So the senator got despicably butthurt and sent joe on a selfish false mission in order to try and retrieve Nina for himself. There was so much I liked about this film that I was really bummed how unsatisfying it was. What did she think that her son did for a living? And You were Never Really Here knocks this outta the park. I think that’s what it set out to do, being so short and subjective to his view. He gave up a peaceful death with his mother with the hopes that he would be the one to protect her. You Were Never Really Here ( 2,433 ) IMDb 6.8 1 h 29 min 2018 X-Ray UHD R A traumatized veteran, unafraid of violence, tracks down missing girls for a living. But I feel like his lack of agency is an exploration of post traumatic stress and how traumatic things that occur in peoples life can subconsciously incorporate itself as a part of ones identity. Its disgusting political corruption at its finest. Question/ Theory about Lynne Ramsay's 'You Were Never Really Here' I saw the premiere of this film at a Q&A with Lynne Ramsay and really loved it, but left wanting to re-watch it immediately (which I have now). I get that Ramsay is from the UK a country shaken to the core by the Jimmy Saville revelations, and I don't want to imply you can't make this sort of movie but I did have a very hard time keeping a straight face in front of a film that read like pizzagate fanfiction. I’ll explain everything very soon here I promise. The music here not only demonstrates the devastating reality of indoctrinated brainwash and perversion but it also creates a sense of contrast and irony to the context of the scene. Gave me a more ruthlessly efficient feeling of stripped down cliches fast and hard to get to the core of how they affect a real man. Joe follows the governors tracks and it leads him to his mansion estate. This isn’t the best theater average for … He should have won for the Phantom Thread score. Boy, did that change in that scene in which Joe is carrying his mother out into the water. Apparently it did a festival run in mid 2017. At this point he starts to have a pretty intense Anxiety episode as hes driving around the city. Have you seen Bastards by Claire Denis ? In reality, when tragic things happen, people just keep it moving and go on living their lives. The camera lingers on his face while the audio of the meaningless chit chatter from the patrons of the restaurant intensifies. The film visually shows us what post traumatic events look, feel, and sound like and also shows the after effects that these traumatic stresses can have on a person. If there is anything you would like to criticize or add to this analysis please let it be known! This movie was such a wild and weird ride, but the ending made everything click for me: Joe and Nina are sitting in the diner booth, surrounded by people's conversations about the mundane aspects of their lives at that moment(The waitress making small talk with her customers, the people in the booth behind Joe talking about pie and etc.) The title You Were Never Really Here is based on a phrase he heard in his head one time when he tried to kill himself. A scene that will stick with me for a while was when the hitman grabs Joes hand and sings with him (though I'll admit the handholding got the point across, and the sing along was sorta corny IMO) Jonny Greenwood's score also jarring and nail-bitingly grating. Joe then immediately sets on his mission to find the governor and kill him in order to retrieve Nina . The fact that he chose to go through the trouble of wearing a suit seems to be one of the many symbols of that throughout the film. In YOU WERE NEVER REALLY HERE, Joe (Joaquin Phoenix) -- a veteran who suffered trauma both during war and as a law-enforcement officer afterward -- now makes his living rescuing kidnapped girls and making the perpetrators pay, violently, with a hammer. Through eventual flashbacks we notice that this is something that is basically identical to what his father did before he abusively punished his children. And also we’ve come to learn that joes choice of weapon which is the ball pein hammer, is influenced by his abusive and traumatic past. Not only is this an engaging introduction to the film through its immersive aesthetic techniques, but it also does an excellent job at demanding you to be immediately invested. It’s a film that’s both written and directed Lynne Ramsey who happens to be a Scottish female director. You Were Never Really Here is closer in tone to John Boorman’s Point Blank (in its fanatic momentum) or Martin Scorsese’s Taxi Driver (a near-maniac rescues a young girl). You Were Never Really Here is a mental and moral dissection of a human being who suffers from some serious post traumatic stress. Clear, polite and well-written responses should be upvoted; opinions should not be downvoted. Later on he pretends to stab her like Norman Bates. Im going to try and interpret this memorial aspect of his character. He then burns a picture of an Asian teenager and cleans the murder scene by wiping up all the blood and collecting left behind belongings. You Were Never Really Here is soon to be a major motion picture starring Joaquin Phoenix A hammer was Joe's favourite weapon. It's sort of my go to recommendation for people who like this movie. No one, not even the blood splattered waitress, sees the literal blood he's spilled and the blood he has sacrificed for others. Spoilers for You Were Never Really Here follow. You were never really here is a masterclass example of filmmaking that I believe is undeniably inspired by the movie Drive which is directed by Danish film director, Nicholas Winding Refn. Close. I agree the film characterizes his mother through "small moments of human-ness", but only to a degree. We also hear her counting down from 40. 4.5/5.0 - 10x10 An abducter is the mouse in this intense cat and mouse game. We also observe later in the film that his mind also projects hallucinations and memories into the real world. [–]SoFuLL 1 point2 points3 points 2 years ago (4 children). I'm not saying they don't exist, I'm just saying at this point in time, with me being hyper aware of all these internet conspiracy nutbag types, it only exacerbated my issues with a film I already have issue with. Joe is carrying his mother out into the water. The theme of this film is not father-daughter incest as it appears, but rather mother-son … Joe is an extremely morally complex and troubled character that demands the audience to think beyond the conventional good guy/bad guy dynamic in film. Joe wakes from the daydream due to hearing Nina's voice. The violence itself is largely not shown. To me, I believe this introduction is attempting to give you a false first impression of Joes character and is teasing our tendency to rapidly assess peoples moral character solely based on minimal pieces of evidence. If you've seen the film, please rate it at this poll. So the feet that we’ve seen fidgeting in the sand, is the last moments of a child that he indirectly contributed to the death of. Posted by 2 years ago. However, I came away from the film disappointed overall. So when the governor finds out that his sex ring has been infiltrated and his favorite possession Nina has been taken, He sicks his paid security policeman to kill everyone who is a possible link and retrieve her back. You Were Never Really Here is a mental and moral dissection of a human being who suffers from some serious post traumatic stress. I see what you’re saying about Alex Jones loving it lol but it’s still executed in a very captivating way imo, [–]SoFuLL 3 points4 points5 points 2 years ago (1 child). In fact it’s probably more likely than it is unlikely that these things have occurred in governments and political systems throughout human history. SO going back to the scene with the helpless intruder in the kitchen, Joe decides to give him some pain medication. * I like how the film made joe be drawn towards helping people who are also experiencing traumatic stress and has a nerved yearning to rescue and connect with Nina. All the pieces are there, but it doesn't come together meaningfully. Also I can't agree with you that the film "never hinted towards" Hitchcock or his work. Press question mark to learn the rest of the keyboard shortcuts. This is one clear example of the film unveiling more of his past as his anxiety beings to elevate. He lumbers through New York City like a … It cuts a quick image of a childs feet fidgeting in the sand. Greenwood’s score makes Joe’s life events screaming and yelling at him to “do something” all the more immobilizing and difficult. Subtly is not her strong suit. While Joe in on the subway look at his reflection, we get a quick cut that revelas an image of the senator gently and sensually touching ninas bare back as the governor walks into the room. I’m sure that there are still plenty of things in this film that I did not touch on or perhaps interpreted incorrectly, but this is precisely the reason why I love film like this. Joe catches the cop off guard and makes a quick decision to fight the cop to death. I have to disagree about the film taking cliche routes for character and story though. We then hear some barely audible noise of some disturbing mumbling coming from Joe. Hell, I cared more when the hitman died because at least he had a moment of humanity! You can feel his PTSD just crushing him... Every shot is so cramped, every close up so zoomed in that there's no room to breath, no sky to look up to, no future to look to forward to. (Click for video essays). He takes on jobs that require him to retrieve missing teenagers that have been kidnapped. This was a beautifully shot film, as well as a beautifully acted film, but I don't believe this film is "a masterpiece of art-house filmmaking." The other thing the intruder mentions is that the governor likes to trade them but Nina is his favorite. I just took them more as this instead of attempts at unique backstory, [–]Carlito148[S] 5 points6 points7 points 2 years ago (0 children), TheLaughingCat, I totally agree with your assessment regarding the film being about a lack of agency. Yeah I noticed that as well; pretty cool! R | 1h 29min | Crime, Drama, Mystery | 6 April 2018 (USA) 2:09 | Trailer. There is also a flashback that gets revealed later of an image of piles of dead asian bodies in the back of a truck as it zooms in on the face of one of the dead asian women. Haven’t heard of it but would be interested in checking it out. He has mercy. The wounded intruder helplessly crawls towards the kitchen as joe stops him and asks for answers regarding his mother and Nina which again is the teenage girl he tried to rescue. You Were Never Really Here. You Were Never Really Here review - Joaquin Phoenix turns Travis Bickle 4 / 5 stars 4 out of 5 stars.
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